

Since 1900, the Christian Century has published reporting, commentary, poetry, and essays on the role of faith in a pluralistic society.
© 2023 The Christian Century.
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What is it those angels invite us to see on the earth from the Mount of Olives?
“People must believe what they can,” writes George MacDonald, “and those who believe more must not be hard on those who believe less.”
Faith is a gift. We don’t produce it ourselves. We receive it. And we certainly can’t brag about having more of it than other people do.
“People must believe what they can,” writes George MacDonald, “and those who believe more must not be hard on those who believe less.”
Faith is a gift. We don’t produce it ourselves. We receive it. And we certainly can’t brag about having more of it than other people do.
“People must believe what they can,” writes George MacDonald, “and those who believe more must not be hard on those who believe less.”
Faith is a gift. We don’t produce it ourselves. We receive it. And we certainly can’t brag about having more of it than other people do.
The appearance of a ghost can be explained in all sorts of ways. But when Jesus appears—bearing scars and hungry for a nice piece of tilapia—then we have to do more than merely rearrange some intellectual furniture.
The appearance of a ghost can be explained in all sorts of ways. But when Jesus appears—bearing scars and hungry for a nice piece of tilapia—then we have to do more than merely rearrange some intellectual furniture.
At times I will again be struck by the smallness of the thing, of this bit of bread and sip of wine.
by Ron Adams
This winter I had the opportunity to observe a Caravaggio painting upclose and often: his Supper at Emmaus (1601) was on loan to the Art Institute of Chicago from its permanent home in London’s National Gallery. From the Century offices, it was only a few steps across Michigan Avenue to see this vibrant, dramatic painting.
By Debra Bendis
This winter I had the opportunity to observe a Caravaggio painting upclose and often: his Supper at Emmaus (1601) was on loan to the Art Institute of Chicago from its permanent home in London’s National Gallery. From the Century offices, it was only a few steps across Michigan Avenue to see this vibrant, dramatic painting.
By Debra Bendis
We Christians believe that we have a moral obligation to point to the pain that the rest of the world can’t see. Others may stroll past the suffering, but we stop and stare, take up an offering, make an appeal and collect blankets, sighing as we do our bit to alleviate some of the misery. That life may not actually be rotten in our part of the world today only increases our guilt for our occasional lapses into joy. How dare we sing when others are sufffering?
The first disciples experienced Jesus’ resurrection not as some single triumphant fait accompli, but by fits and starts.
The first disciples experienced Jesus’ resurrection not as some single triumphant fait accompli, but by fits and starts.
Appearing to two nobodies going nowhere is an interesting choice.
Appearing to two nobodies going nowhere is an interesting choice.