Luke 24
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Ascension of the Lord, May 9, 2013: Acts 1:1-11; Luke 24:44-53
What is it those angels invite us to see on the earth from the Mount of Olives?
Believe what you can
“People must believe what they can,” writes George MacDonald, “and those who believe more must not be hard on those who believe less.”
Faith is a gift. We don’t produce it ourselves. We receive it. And we certainly can’t brag about having more of it than other people do.
Believe what you can
“People must believe what they can,” writes George MacDonald, “and those who believe more must not be hard on those who believe less.”
Faith is a gift. We don’t produce it ourselves. We receive it. And we certainly can’t brag about having more of it than other people do.
Believe what you can
“People must believe what they can,” writes George MacDonald, “and those who believe more must not be hard on those who believe less.”
Faith is a gift. We don’t produce it ourselves. We receive it. And we certainly can’t brag about having more of it than other people do.
Sunday, April 22, 2012 (Luke 24:36b–48)
The appearance of a ghost can be explained in all sorts of ways. But when Jesus appears—bearing scars and hungry for a nice piece of tilapia—then we have to do more than merely rearrange some intellectual furniture.
Sunday, April 22, 2012 (Luke 24:36b–48)
The appearance of a ghost can be explained in all sorts of ways. But when Jesus appears—bearing scars and hungry for a nice piece of tilapia—then we have to do more than merely rearrange some intellectual furniture.
Sunday, May 8, 2011: Acts 2:14a, 36-41; Luke 24:13-35
At times I will again be struck by the smallness of the thing, of this bit of bread and sip of wine.
by Ron Adams
The noisy supper
This winter I had the opportunity to observe a Caravaggio painting upclose and often: his Supper at Emmaus (1601) was on loan to the Art Institute of Chicago from its permanent home in London’s National Gallery. From the Century offices, it was only a few steps across Michigan Avenue to see this vibrant, dramatic painting.
By Debra Bendis
The noisy supper
This winter I had the opportunity to observe a Caravaggio painting upclose and often: his Supper at Emmaus (1601) was on loan to the Art Institute of Chicago from its permanent home in London’s National Gallery. From the Century offices, it was only a few steps across Michigan Avenue to see this vibrant, dramatic painting.
By Debra Bendis
Now can we sing?
We Christians believe that we have a moral obligation to point to the pain that the rest of the world can’t see. Others may stroll past the suffering, but we stop and stare, take up an offering, make an appeal and collect blankets, sighing as we do our bit to alleviate some of the misery. That life may not actually be rotten in our part of the world today only increases our guilt for our occasional lapses into joy. How dare we sing when others are sufffering?
Heirs of the resurrection (Luke 24:36-48)
The first disciples experienced Jesus’ resurrection not as some single triumphant fait accompli, but by fits and starts.
Heirs of the resurrection (Luke 24:36-48)
The first disciples experienced Jesus’ resurrection not as some single triumphant fait accompli, but by fits and starts.
Scandalous forgiveness: Luke 24:13-35
Appearing to two nobodies going nowhere is an interesting choice.
Scandalous forgiveness: Luke 24:13-35
Appearing to two nobodies going nowhere is an interesting choice.