On Art

From Meg Hitchcock’s Illuminations

Delmar VanderZee’s Prairie Wisdom

José Ignacio Fletes Cruz’s The Second Chance: The Ark of Noah

Images from Michael Petry’s Gifts of Apollo (top) and At the Foot of the Gods (bottom)

Peter Howson’s Imposter

Fanny Lechevalier Lafon’s
Untitled work

Doreen R. Martinez and Ronald J. Martinez’s Santa Maria de la Paz

Jan Richardson’s That We Might Receive This Joy

Antonio McAfee’s  Afternoon of the Deluge (Ocean) and Evening of the Deluge (Standing on Water)

Jeff Meadows’s The Peaceable Kingdom

Danylo Movchan’s Mariupol (2022); Prayer (2022); Pain (2022)

Jesus Said to Her: “Give Me to Drink,” by Rania Kuhn

Toward Hydra (top) and Matisse Chapel, Vence (bottom), by Eleanor Ray

Adam 1 (detail), Adam Organs (detail), Adam 2 (detail), by Gillian Genser

The Rich Man and Lazarus by James Janknegt

“I left my land, my land did not leave me,” by Qais Al-Sindy

Strange Histories series, original 35 mm slide collages (2013–present), by Ian Trask

Room 200 (2020), by Jesse Albrecht

Life in the House of Mercy, by D. Brendan Johnson

Sunflower, Marigold, Red Winter Berries (viburnum branch), by Tania Yurchenko