Van Gogh's dark night

The world will
always be fascinated with Vincent van Gogh. It doesn't matter that his
sunflowers are on mugs, t-shirts, calendars and billboards, or that
psychologists have spent years studying every facet of van Gogh's emotional and
mental instability. It only takes a fresh encounter with one of his paintings
to draw us back to the art, or an excerpt from one of his letters to remind us
of his intense spiritual journey.

In Bone Dead, and Rising, Charles Davidson
shares the results of his own absorption with van Gogh the artist, the man and
the Christian. For 15 years Davidson pored over 900 paintings, 800 letters,
1,000 drawings and existing scholarship on van Gogh. With the empathy of a
pastor, Davidson leans into the torment of this man who yearned to follow
Christ but met discouragement and alienation at every turn.

As a
psychotherapist, Davidson knows and can professionally second many of the
existing theories about van Gogh--lead poisoning, alienation from his Calvinist
family, malnutrition, epilepsy and biopolar disorder. But it's too easy to
limit discussions to pathology, in Davidson's view. Whatever the diagnosis, the
dark night of the soul that was van Gogh's spiritual life is still worth
reflection.

In this case,
the dark night existed next to expressions of brilliant beauty. Davidson asks
about the theological implications. How does this happen? How do we explain the
disjointedness between the darkness of a life and the glory of the same man's
art? Davidson argues that the struggles of the van Gogh who felt without God
were matched by the strokes of an artist who saw God made visible in a human
face, a meal shared, cypress trees and yes, sunflowers.

Davidson leaves
us with this haunting question: "To what extent, if at all, is the divine
presence revealed in the bleakest moments of suffering and despair?" This book
becomes personal as we consider where we are with God when we too are lost, ill
and abandoned.