20th Sunday in Ordinary Time (Year A, RCL)
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Reading the Joseph story after Charlottesville
Anyone who seeks to divide people is working against God. And refusing to say that is sin.
How new is the new Christian Zionism?
There have been many Zionisms over the years. Only one has imagined an eventual end of Judaism.
August 20, Ordinary 20A (Matthew 15:10–28; Romans 11:1–2a, 29–32)
Give me your tired, your poor, those you consider dogs.
Prayer instead of fear
This election season, we've seen a lot of hatred and inhospitality directed toward Muslims and toward migrants. There is talk of building walls instead of bridges, a focus on fueling the politics of fear instead of concern for human need.
In 1 Kings 8 we see an alternative.
Chords and discords: Choral music of our time
The church’s recognition of the reality of radical evil opened its music to dissonant, jagged 20th-century soundscapes and what they could express.
The Canaanite Woman, from the Très Riches Heures du Duc de Berry (15th-century Book of Hours)
Art selection and commentary by Heidi J. Hornik and Mikeal C. Parsons
What's a pastor for?
By far the most uncomfortable pastoral work I do is with people who want help for relatives in churches that are far away. I once got a call from one such relative who had been elected secretary of a church committee and wondered how she should minute the meeting. Worse are the complaints about pastors who do things I have done. (“My brother says they don’t sing hymns everyone knows. What can we do?”)
By Rufus Burton
Sunday, August 17, 2014: Genesis 45:1-15; Matthew 15:21-28
Joseph knows what he is seeing. His brothers do not.
by Rufus Burton
Family hospitality
Each autumn, Fourth Presbyterian Church's sanctuary is full to overflowing with Jewish worshipers attending High Holy Days observances.
What’s in a promise? Living by covenant, not contract
Monastic vows sound familiar to anyone who's been to a wedding. In both marriage and celibacy, we promise to be faithful.
In life, in death, in life beyond death
It’s the second movement of Leonard Bernstein’s choral work, Chichester Psalms. A boy soprano (or a countertenor), in the “role” of the shepherd boy, David, sings in Hebrew the opening verses of Psalm 23. He is accompanied–sparingly, fittingly–by the harp. The first several measures are tender but not tentative; filled with sentiment, but without sentimentality (this per Bernstein’s instructions). When the women’s voices take over the text at גַּם כִּי־אֵלֵךְ בְּגֵיא צַלְמָוֶת . . . (Yea, though I walk through the valley of the shadow of death . . .) there’s an ethereal echo-canon effect. This part of the movement, when executed well, is something sublime.
Scrappers
It’s scary. Sometimes, we Scrappers have to swallow our pride in order to start working with the institution that turned us away. Often, Scrappers develop autonomy and a certain voice that we fear we'll lose if we move into partnership with an established organization. We worry that the structure will steal our ideas and they'll have the money and power to pull them off—without us.
Conflict as prelude
Matthew invites us into a whole variety of experiences this Sunday. Verses 10 through 20, considered optional, center around a conflict about tradition and authority followed by a parable about the truth of the actions of the heart. This is followed by healings and feedings. The next chapter begins with more conflict.
By Emlyn A. Ott
Sunday, August 14, 2011: Genesis 45:1-15; Romans 11:1-2a, 29-32; Matthew 15:10-20, 21-28
As God's people, we are the remnants and promise of new life.
by Emlyn A. Ott