Easter Evening

“People must believe what they can,” writes George MacDonald, “and those who believe more must not be hard on those who believe less.”

Faith is a gift. We don’t produce it ourselves. We receive it. And we certainly can’t brag about having more of it than other people do.

The appearance of a ghost can be explained in all sorts of ways. But when Jesus appears—bearing scars and hungry for a nice piece of tilapia—then we have to do more than merely rearrange some intellectual furniture.

At times I will again be struck by the smallness of the thing, of this bit of bread and sip of wine.

After Jesus shared his last supper with his friends, they sang a hymn together. There is every reason to believe it was the Hallel, Psalms 113 through 118. How have I missed this before?

This winter I had the opportunity to observe a Caravaggio painting upclose and often: his Supper at Emmaus (1601) was on loan to the Art Institute of Chicago from its permanent home in London’s National Gallery. From the Century offices, it was only a few steps across Michigan Avenue to see this vibrant, dramatic painting.

The first disciples experienced Jesus’ resurrection not as some single triumphant fait accompli, but by fits and starts.

Appearing to two nobodies going nowhere is an interesting choice.

Bread and fish are not much of an Easter dinner.

On the walk to Emmaus, Jesus is first recognized as an alien.