Third Sunday of Advent (Year A, RCL)

Like many pastors, I remember clearly the first sermon I ever preached. It was during my second semester of seminary, and I probably worked on it for 50 hours. Each detail was written and rewritten until I was confident I had produced the greatest theological document by a seminarian in quite some time.

Christians have always been uncomfortable with the Magnificat. Advent takes us places we would rather not go.

I’m taking a class on the Gospel of Luke this semester, and one of my assignments is to engage in an ongoing spiritual practice related to that particular Gospel. So for the entire semester I am reading the Magnificat daily. It’s a passage that I’ve been drawn to in recent years, but it has been particularly illuminating to be dwelling on it during Lent this year, since it is typically confined to the Advent season. Somehow the triumphal language of the justice that God has already accomplished fits with the modern treatment of Advent as a celebratory season. But Lent is a season of penance, which puts an entirely different spin on the text.

The greatest Christmas carol in history was not written by Irving Berlin or Nat King Cole. The greatest carol is not “Grandma Got Run Over by a Reindeer” or “White Christmas” or even “Silent Night.” The greatest carol was composed 2,000 years ago by a pregnant teenage girl who was visiting her cousin Elizabeth.

Whether Mary was reading or spinning or planning her wedding, the annunciation came as an interruption.

The glad song Mary sings to her cousin Elizabeth in Luke’s Gospel functions like a lighted magnifying glass. It illumines, making possible the discernment of something that was there all the time, but difficult to see without aid. Mary sings of the whole new order of things that God is creating all around us, one in which the hungry are filled with good things and the rich, who have unwisely filled up on so much that does not satisfy, are emptied so that they can have their real hungers met at last.

My favorite Christmas book is The Donkey’s Dream, which is about the journey Mary and Joseph made to Bethlehem. Meant for young children, Barbara Helen Berger’s story is a brilliant and subtle work of theology. Or perhaps antitheology, as it allows simple images to tell us more than words can convey about what the incarnation signifies.

Few know blindness so profoundly as prisoners who once could see the whole world but now find the universe shrunk to the size of a cell. Inmates hear only what jailers allow, most often some version of “We own you.” As for music, the rhythm of one’s own pulse must suffice, and that hardly leads to dancing. One can even forget how to walk.