Luke 1

Vivaldi wrote his Magnificat for a choir of female orphans to sing for their supper. They were truly singing Mary's song.

Like many pastors, I remember clearly the first sermon I ever preached. It was during my second semester of seminary, and I probably worked on it for 50 hours. Each detail was written and rewritten until I was confident I had produced the greatest theological document by a seminarian in quite some time.

Christians have always been uncomfortable with the Magnificat. Advent takes us places we would rather not go.

I’m taking a class on the Gospel of Luke this semester, and one of my assignments is to engage in an ongoing spiritual practice related to that particular Gospel. So for the entire semester I am reading the Magnificat daily. It’s a passage that I’ve been drawn to in recent years, but it has been particularly illuminating to be dwelling on it during Lent this year, since it is typically confined to the Advent season. Somehow the triumphal language of the justice that God has already accomplished fits with the modern treatment of Advent as a celebratory season. But Lent is a season of penance, which puts an entirely different spin on the text.

The annunciation is analogous in my mind to the story of God's invitation to Abram to leave Ur and head to Canaan. Both stories have a bare, binary feel to them. These are hinge moments in the unfolding of God and God's mission with and for the world. Abram, yes or no? Mary, yes or no?

I decided our family's Christmas would be simple and spirit-centered. Green to parenting, I defined spiritual as anything that allowed me a minute to reflect on what, beyond the laundry, mattered.

For the healing we need, we cannot do better than to rely on the ancient assurances of Zechariah's hymn. Written in a time of occupation and economic disarray that eclipses our own in its uncertainty, the hymn proclaims that we are indeed free, whatever our brokenness, to worship God without fear.

The greatest Christmas carol in history was not written by Irving Berlin or Nat King Cole. The greatest carol is not “Grandma Got Run Over by a Reindeer” or “White Christmas” or even “Silent Night.” The greatest carol was composed 2,000 years ago by a pregnant teenage girl who was visiting her cousin Elizabeth.