First Sunday of Advent (Year 1, NL)
38 results found.
Bone chapels and their strange art
In catacombs, crypts, and ossuaries, I’ve seen the ugliness of death transformed into something beautiful.
Overshadowed by the Twelve
Holly Carey turns up the brightness on the most faithful disciples in the gospels: the women.
Jesus is traumatized
Minister and veteran David Peters invites us to consider our own post-traumatic identities in a new light.
A famous Passion play’s evolution
In Oberammergau, the keepers of a centuries-old tradition have made
big changes—including efforts to expunge antisemitic material.
Staying awake for Easter
What ritual remedies exist to sharpen our spiritual attention, focus, and clarity?
by Aaron Rosen
What should churches do about the treatment of “the Jews” in John?
“Each of the typical approaches has problems. The best solution would be to change the lectionary.”
Steve Thorngate interviews Amy-Jill Levine
Palms, Passion, preachers—and pipes (Matthew 21:1-11; 26:14-27:66)
There is something about the wail of a bagpipe that seems especially appropriate this Sunday.
by Brian Maas
April 2, Passion Sunday A (Matthew 26:14-27:66)
The Passion reveals the many gods of my own making.
by Brian Maas
The suffering of Jesus and Others (Palm/Passon A) (Matthew 26: 14--27:66)
Matthew's writing is terse. This hasn't stopped some from imagining grimmer details.
April 5, Passion Sunday A (Matthew 26:14–27:66)
The story of Jesus’ unjust trial and wrongful conviction must not be romanticized.
Episode 67: Minding the Gap
On this week's Sunday Morning Matinee, Matt and Adam talk skateboarding, family, brokenness, and Bing Lau's incredible film Minding the Gap.
Waiting for vindication (Habakkuk 1:1–4; 2:1–4)
God's answer to Habakkuk? Wait.
The essential challenge of anti-Judaism in the Bible
Do antisemitic appeals to the Bible always constitute an abuse of scripture? Would that it were so simple.
by Greg Carey
Divine absence and the light inaccessible
God isn't just hidden. God hides. Why?
The Betrayal of Christ, by Guercino
Art selection and commentary by Heidi J. Hornik and Mikeal C. Parsons