Peter W. Marty

The absence of community surrounds us in a daily way—in our neighborhoods, our work lives and the anguish of our own souls. The scarcity of community wreaks havoc below the surface of outwardly busy lives. From the ethos of economic life to the chatter of talk radio, our society is busy promoting the appetites and fantasies of the individual more than it encourages investment in the larger aspirations of a community.

When I needed a childhood photograph for an upcoming staff retreat, I climbed up to the attic to forage among the boxes. There I found my earliest photo album, and in it a picture from my second year of life. Applesauce must have been on the menu that day. Whether it was the applesauce itself or the person feeding it to me one spoonful at a time, something led me to doze off. I fell asleep in the high chair and suddenly, “Click.” Instant photo-op. As a youngster, I used to think that was the funniest picture in the book.

Few things are more complicated than trying to erect a new monument in the heart of Washington, D.C., but on September 9, 1997, a gigantic crane cut through all of the red tape encircling Judiciary Square and lowered a four-ton sculpture to its permanent cement base. What made this particular installation remarkable was the biblical symbolism of the sculpture’s design. Titled “Guns into Plowshares,” this 16-foot-high steel plow blade consists of 3,000 handguns welded together to form the distinctive shape of the well-known farm implement. Artist Esther Augsburger and her son worked for two and a half years with the Metro Police Department. They molded handguns that had been surrendered by local residents.