Transfiguration Sunday (Year A, RCL)
39 results found.
The all-knowing cloud and the cloud of unknowing
Clouds evoke the sublime. What about the cloud that stores our data and mediates its flow?
February 11, Transfiguration B (Mark 9:2–9)
What Peter, James, and John see on the mountain cannot be neatly packaged for resale.
What God has in store next (Matthew 17:1-9)
It’s hard to let go of what we once had.
Should we avoid liturgical language of light and dark?
While struggling with this question as a church songwriter, I came up with six guidelines.
A visit to the Hava NaGrilla Smoke BBQ Festival in Philadelphia
Hope smells like barbecue.
February 23, Transfiguration A (Matthew 17:1–9)
God’s presence transfigures here, now, in the familiar.
Seeing the image of God in our selfies
Craig Detweiler draws on art history, psychology, and religion to argue that staring at ourselves can be an act of faith.
What ascetics have taught me about divine light
In the eastern tradition, theosis—union with God—is the goal of the Christian life.
The Transfiguration sermon I need (Matthew 17:1-9)
There is no "on the mountain" and "off the mountain."
Transfiguration, by Fra Angelico
Art selection and commentary by Heidi J. Hornik and Mikeal C. Parsons
Sunday, February 15, 2015 | Transfiguration Sunday: Mark 9:2-9
Let’s build shrines, Peter says. He doesn’t know how to respond to a mystical mountaintop experience, and he’s afraid.
Sunday, March 16, 2014: Matthew 17:1–9
The Transfiguration has a hundred sermons in it. But to me the most touching element is the subplot.
by Maggi Dawn
Transfigurations
Jesus’ transfiguration is a mystery that defies a straightforward explanation. I find that instead of clarifying anything about his unique nature, it only adds more confusion.
By John W. Vest
Sunday, March 2, 2014: Exodus 24:12-18; 2 Peter 1:16-21; Matthew 17:1-9
I grew up in Southern Baptist congregations. By the time I left high school I knew the four steps to salvation and the meaning of Jesus’ sacrificial death as a substitutionary atonement for my sins. I could articulate this understanding of salvation in clear and simple terms. Within the metanarrative of evangelical Christianity it made perfect sense and was logically coherent.
Then my fundamentalism began to unravel.
by John W. Vest
The Transfiguration, by Raphael (Raffaello Sanzio) (1483–1520)
Art selection and commentary by Heidi J. Hornik and Mikeal C. Parsons