Features
Prayer at Taizé Singing and silence: Singing and silence
We call prayer at Taizé “common prayer,” not the “office,” which suggests a work obligation: “We do our office,” “We do what we ought to do.” That doesn’t correspond to the way we experience prayer in our lives. To say prayer is “common” is to say that it brings us together. Of course, each member of the community tries to find time for personal prayer. But prayer in the church brings us all together.
Partisan religion: Analyzing the 2000 election
From the time that George W. Bush declared Jesus his favorite political philosopher to the day Joseph Lieberman joined the Democratic ticket quoting the Book of Chronicles, religion was in the limelight during the 2000 presidential campaign. And when it was all over, Bush entered office amidst a flurry of worship services, clerical blessings and religious consultations.
The office of prayer: Reviving an ancient practice
For Those We Love But See No Longer: Daily Offices for Times of Grief by Lisa Belcher Hamilton
Venite: A Book of Daily Prayer by Robert Benson
Celtic Benediction: Morning and Night by J. Philip Newell
The Prymer: The Prayer Book of the Medieval Era Adapted for Contemporary Use, translated and adapted by Robert E. Webber
The Divine Hours: Prayers for Summertime by Phyllis Tickle
The Divine Hours: Prayers for Autumn and Wintertime by Phyllis Tickle
Gay and mainline: The success of the MCC
Callers to the California headquarters of an odds-defying denomination—one that worldwide has 300 churches made up largely of gay, lesbian, bisexual and transgendered persons—are greeted by the recorded voice of the founder and chief executive: “This is Reverend Troy Perry. Thank you for calling the offices of the Universal Fellowship of Metropolitan Community Churches.” An anonymous female voice then recites the conventional options: “If you know your party’s extension . . .”
Brothers’ odyssey
O Brother, Where Art Thou? (2000), directed by Joel and Ethan Coen
Chocolat (2000), directed by Lasse Hallström
Joel and Ethan Coen came up with a strange concept for O Brother, Where Art Thou?: they took major elements of Homer's Odyssey and set them in the Depression-era South. George Clooney's character is named Ulysses, the cyclops is represented by a Bible salesman with a patch over one eye, a blind seer comes along on a handcar, and of course, there are three bathing sirens.