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Since 1900, the Christian Century has published reporting, commentary, poetry, and essays on the role of faith in a pluralistic society.
© 2023 The Christian Century.
Eric Foner resurrects the history of the Underground Railroad, its powerful place in New York City, and how it helped Harriet Beecher Stowe and others bring about the war that ended slavery.
reviewed by Edward J. Blum
Many scholars have traced the intra-Christian conflicts over slavery. Less noticed are the situations in which Christians were themselves enslaved.
It seems like everywhere you go Christians in one way or another are talking about Christendom. Actually, the word being used most is post-Christendom.
We are endlessly being misdirected in search of the crude “hate crime.” After centuries of racial oppression and violence, our society eventually became uncomfortable with the overtness of the racism of the past. Slavery is taken for granted as a horrific thing, something that couldn’t be assumed a few generations ago. For mainstream America, to be accused of being racist is to have been labeled something despicable. Few would willingly accept this charge upon themselves, defending themselves adamantly against such accusations. However, even worse than the racist label for those within the dominant culture, is for a person to be accused of a hate crime. Hate crimes have been created to isolate the most heinous of offenses that have been committed because of prejudice.
I wished that Hosea and Philemon were not in the lectionary. My reasoning? I don't like that the books uphold the notions of people being bought and sold as property.
Django Unchained is an irreverent, profound and problematic exploration of America's original sin—and the power of a revenge fantasy.
The runaway slave narratives compiled by Devon Carbado and Donald Weise are as moving as any story by Suzanne Collins or J.R.R. Tolkien.
reviewed by Edward J. Blum
A man buys a lottery ticket at a small store in Cambodia. Ten years ago, he could have bought a human being there.
by Melisa Goss
Paul Harvey's introduction to the history of African-American Christianity emphasizes both the
fraught relationship between black and white Christians and the tensions
within black religious institutions and communities.
Just about every marketing card seems to be stacked against Amazing Grace. It’s not just that the film is a costume drama set in England at the turn of the 19th century, or that there are no big-name American actors in the cast. The real obstacle is the setting: it’s a movie about British politicians, in wigs, and the inner maneuverings of the British Parliament. Moreover, Amazing Grace speaks openly of Christian faith and the Bible’s demands for justice for all people—not a recipe for a blockbuster. Yet the film is genuinely inspiring.
We are still free to choose whose slaves we will be.