Most of Richard Linklater's previous films, such as Dazed and Confused, Slacker and Before Sunrise, have enjoyed great success by holding up the mirror to 20-somethings' intermingling of curiosity and apathy. Judging by the almost universally positive response he's received for his latest film, Waking Life, the formula is anything but tired. In addition to praising its meandering dialogue, critics are calling the colorful visual landscapes in which these ideas are presented a breakthrough in film animation.


This article is available to subscribers only. Please subscribe for full access—subscriptions begin at $2.95. Already have an online account? Log in now. Already a print subscriber? Create an online account for no additional cost.

This article is available to subscribers only.

To post a comment, log inregister, or use the Facebook comment box.