When it was announced that Oliver Stone would be directing a film about the downing of the twin towers on 9/11, there was a collective gasp. Would Stone focus on one of the many conspiracy theories about the disaster, as he did in JFK? Would he transform the story into a mythical tale of good versus evil, as in Platoon? Would he pull out all the stops and dwell on the death, destruction and violence, à la Natural Born Killers?

To everyone’s surprise, and many critics’ relief, Stone, working with a script by former actress and first-time screenwriter Andrea Berloff, has made a film that is not the least bit controversial.

It is also not the least bit interesting. It is a stolid, big-budget Movie of the Week that looks and feels as if it was constructed from an LCD (least-common-denominator) screenwriting textbook.


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