The other day, a small group from my church joined others from our neighborhood in a march on Chicago's north side. As we swarmed the streets, temporarily shutting down traffic, I noticed a woman in a car. Some motorists were exasperated, trying to turn around or just glowering at us. Others were supportive, honking their horns to the rhythm of "Siyahamba" as we sang. But this woman did nothing but sit there, parked in the middle of the procession, and wipe tears from her eyes. With visible emotion, she registered shock at this small but mighty band of the faithful marching with a processional cross at our head, proclaiming that black lives matter.
While the crowd's emotion was jubilant and righteous, I couldn't help but feel sad.
What is it called when we complete a sermon, art, poetry, song or writing, and there is a bit of our soul that takes form and shape? Wisdom takes on paint. Beauty becomes clothed in letters. Depths of emotion become suffused in photos. When something ephemeral inside of us takes on a concrete quality that can be shared. When our art lives on after we have departed. What is it called?
I was visiting the traditional site of Good Friday and Easter: the Church of the Holy Sepulcher, an imposing, exotic, heterogeneous amalgam of interconnected buildings in the Old City of Jerusalem. Oversight of the building complex is rationed out to the Greek Orthodox, Eastern Orthodox, Roman Catholic, Armenian Apostolic, Coptic, Ethiopian and Syrian Orthodox communions.
years ago I received from a parishioner a "Jesus Is the Reason for the Season"
cookie tin. Every time I reached for a piece of Doris's divinity, I had to read
that cheery-angry motto of Christian moralism.
Not long ago, a retired pastor and theologian who had lived and taught in Buenos Aires in the early 1970s came back to visit. He had some pressing questions: What does liberation theology mean to you people today? What authors do you read in your seminary classes? What aspects of liberation theology still seem relevant to you?