The late Curtis Mayfield integrated music and message in a way that changed history. Four-plus decades after achieving renown, his talent shines in the film Movin’ On Up: The Music and Message of Curtis Mayfield and the Impressions (Reelin’ in the Years Productions). More than a documentary, Movin’ On Up presents 22 complete songs, along with interviews.
Every Batman story explores the nature of good and evil—or more specifically the often blurry line between the two. The Dark Knight takes the Batman-Everyman story in fresh directions, ones germane to a world confronted with terrorism. The movie raises the question: What is worse or more demonic: a terrorist with principles (even if that principle is nothing grander than accumulating more and more money) or one without?
Evelyn Waugh’s marvelous novel Brideshead Revisited begins as a coming-of-age story. At Oxford in the 1920s Charles Ryder crosses paths with the disarming, childlike aristocrat Sebastian Flyte; they become inseparable friends, and Charles is taken up by Sebastian’s family.
Sunday afternoons, she rolled off her stockings to cross beams girding my grandfather’s barn. She was fifteen and longed for something in the dark leafy boughs she couldn’t quite reach. Balancing on a hand-hewn rafter was nothing more than stepping out on a limb and the humid hour held its breath, the twittering sparrows fell silent. Dust shivered suspended as she passed through shafts of light austere as a coronation. This was before she coiled her braids under a covering and took her place in a kitchen with its slick checkered floor and the tick of a clock she had to rewind. For one immortal summer, girders hung taut as strings her steady feet could strum.
Are these Christian tattooists in the paper any stranger—Simon Stylites spent a life standing on a stone pillar, sixty feet up— did not come down for cramps or winter rain.
Could I survive the Sacred Heart with “Hail, Mary, Full of Grace” across my arm, or the crucifixion in three colors against my sternum between my breasts. Needles to skin over soft tissue is less painful, but flesh is grass and sags— art lasts best close to bone.
No stranger than hair shirts, hundreds of needles for hours, for days, even years, to get the complete St. Michael on my shoulder to the writhing, twisting dragon down my leg. Or my whole life to get the Last Supper with Stations of the Cross, and the proper text— Jesus’ words in red— covering every inch of skin, eyelids, lips, nose, between fingers and toes, while invisible capillaries under the skin carry the images molecule by molecule into the living catacombs of bone.
Ten refugees have been selected to compete in the Summer Olympics in Brazil this year. Five of them are runners from South Sudan who have been living in Kakuma, a refugee camp in Kenya. The Sudanese will be joined by two Congolese judo fighters, two Syrian swimmers, and an Ethiopian marathoner. Anjelina Nadai, one of the Sudanese runners, said she first started running while tending her family’s cows. She discovered she could get to the cows in half the time by running instead of walking. These athletes will compete under the Olympic flag, not that of any nation. If any of them should win a medal, the Olympic theme song will be played (The Christian Science Monitor, June 3).