For once, silence— genuine calm. Forty minutes on a tidal bight with a great blue heron in the binoculars’ sight. Not frozen but still. In a half hour, she barely turns a full 360 degrees. Time to notice the dark wingtip markings, light not-blue-but-gray breast feathers, the cobalt dash between the long beak and dark-eyed crown. Expectation gives way to awe, as each degree thins her to a reed among reeds.
By sunset, barely an apostrophe against the green marsh what’s left of color bleeding into water, this resolve: to pause to practice, to attend.
Statio. One of the elements of Benedictine spiritual discipline, the practice of pausing between activities to become conscious of the moment, of the presence of God.
Screenwriters love structure: it gives them something to focus on as they plow ahead in their storytelling or to retreat to if they get off track. Familiar structures include the road movie (looking for answers), the journey film (home to Ithaca) and the sit-by-the-fireplace flashback (“Let me tell you about Heathcliffe”).
The first “ghost comedy” was an effervescent 1937 charmer called Topper, in which two of the most elegant high comedians in movies, Cary Grant and Constance Bennett, crashed their roadster and immediately rebounded, their insouciant personalities utterly unchanged, as specters. That’s the joke on which ghost comedies are premised: death doesn’t alter a thing except corporeal reality.
The frightening downturn on Wall Street has caused even some staunch antigovernment pundits to begin rethinking their assumption that all government regulation is bad. That is a rethinking this country desperately needs.
Here in the basement of the Espresso Royale on Sixth Street in this land grant university town, amid English Fog lattes and keypad-clatter, in the afternoon before the all-hallows-eve in which Katie, a great-great-et-cetera granddaughter of the townswoman they hanged for the crime of witchcraft, will play a game—homo ludens— of volleyball against the maize-and-blue Michigan Wolverines I draft a missive to the good citizenry of Dorchester as though they might yet happen upon these words, as though their revivified selves were a short gallop from this latitude and longitude, as though their sins of omission and commission might still be forgiven— not just forgotten—by an act of penance that includes a pilgrimage to tonight’s venue and a maniacal cheering for this descendent as she executes (I didn’t invent the language) a perfect play that culminates in (really, I didn’t) a kill. Full stop because I don’t know how to end this letter. So I do what I always do: continue breaking lines and staggering down the page until it’s time to witness more volleyball and cheer like nothing else ever happens or matters.
Researchers at Yale University School of Public Health have discovered a link between longevity and reading books. People who spend up to 3.5 hours each week engrossed in a book were 17 percent less likely to die in the 12 years following the study, and those who read more than 3.5 hours are 23 percent less likely to die in the same period. The longevity advantage remained even after adjusting the data for education, wealth, cognitive ability, and other variables, although no cause-and-effect relationship was established (Tech Times, August 8).