Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Film

Doubt

It is commonly assumed, and regularly taught, that the key difference between playwriting and screenwriting is that the former tells the bulk of its story with words (it is dialogue-driven), while the latter relies more heavily on images (it is camera-driven).
Poetry

Caught music

Aloft because chaos dances, elastic,
flowering. Generous, how impulse jumps—

kept lively. Melody nudges open—prospector,
questioning. Remember summer?

Tallying us, vireos, wings x-rayed yellow,
zeroed along bare cliffs. Drawn even from

graceless hollows—imagine—juncos, katydids,
luscious mango noons. Our passions

quickened. Rondos, serpentine: the unsung,
voiced with xylophones. Yodels. Zithers.







Poetry

Incarnation

Suppose I scooped the whole sky in my hand,
I couldn’t hold it. Yet hearing a goldfinch,
I feel, well, yes, that tiny song might clench
the whole primordial rumpus of the wind.

I wonder if she felt the fearful flame
fly into her womb? What did she hear?
Or maybe when God enters time,
he’s quiet. Is the child in the manger
meek so He, who fills all place, won’t scare
us?
              After my mother’s death, I stood in darkness,
bereft and tiny on an ocean pier,
a spent coin. Night opened its purse
and flung me up, expanding toward the stars.

From what I know, I reason in reverse.



Music

The Century recommends

This collection ranges from the merengue of Dominican superstar Reynold to the earthy Hungarian folk of Marta Sebestyen (knit with Arabic textures on “Bethlehem, Bethlehem”). The Cox Family’s dawn-in-Appalachia rendition of “Go Tell It on the Mountain” is a highlight. Other tracks sample holiday pieces from Sweden, Italy and Africa.