Working at the top of his game as both a filmmaker and an actor’s director, Ron Howard has converted one of the most intriguing media events of the late 1970s—David Frost’s TV interviews with Richard Nixon three years after Nixon resigned as president—into memorable drama.
For a practice to qualify as “evangelical” in the functional sense means first of all that it communicates news. It says something particular that would not be known and could not be believed were it not said.
Bernhard Schlink’s 1995 novel The Reader is a tricky book to adapt to film. The plot—about how Michael Berg, a teenager in Germany in the 1950s, falls in love with an older woman with a mysterious past—may seem neat and tidy, but the story is actually about fear and guilt, ethical responsibility and moral ambiguity.
For Christians (as for religious people of various sorts), music is a basic human activity. We cannot live without worshiping, and we cannot worship without making music. Smack in the middle of the Bible are the Psalms, the blues and praise songs of the ancient Hebrews. And the earliest confessions of the New Testament may have been lifted directly from hymns that rang out in corporate worship.
So you doubt the whereabouts of God, a quark, everywhere yet nowhere at once. So the hell what? Doubt you the wind, doubt sandstone erosion and trilobite carapace. Let faith in dawn weather slow as feldspar. The sperm whale’s lungs collapse a thousandfold in unfathomable depths, yet bear it, unyielding. You who preach against miracles, go doubt the arctic tern asleep on the wing. Doubt that a father will leave untouched constellations of frost inside his windshield, the breath of his child frozen overnight. Doubt that bodies lose a few grams the moment of death. Doubt that, you who will, doubt that.
Americans now donate five times as many clothes to charity than they did in 1980. The supply of donated clothing outstrips the demand: typically, only 20 percent of donated clothing is sold where it is donated. In 2014, 11 percent of clothing donated to Goodwill ended up in landfills. About 45 percent of all donated clothing is exported to foreign countries by for-profit companies. The glut of used clothing disrupts local economies in developing countries, putting textile workers out of jobs. Bre Cruickshank recommends that clothing donors invest “in timeless styles of better quality,” rather than “refreshing our wardrobe according to seasonal trends” (Not Just a Label, April 9).