Last week a mathematician said green glow, aquamarine— and I suppose rare parrots or the searing rise of rice, aurora as it reels around the poles.
This week the man says oops, a miscalculation: the universe is amber— peach hair, cantaloupe, a squeal, the yellow cart of dawn pulled into day.
Show me the math, show me equations in green, gold, vermilion, plum— whatever comes out of the dark around us and the sun and all the sons and daughters of the stars— the universe a crystal, charmed, worn in the hollow of God’s throat and warmed.
Recently a friend forwarded me a cautionary e-mail. It reported that a couple in Canada had parked for an errand, and as they walked away from their car, the driver used the remote on his key fob to lock the doors. When the Can adians returned to their car five minutes later, it had been stripped of a laptop and a cell phone. The police were summoned.
Silence is misery, said a friend in a casual comment on the phone. Elizabeth spent three days with no one to interrupt her but her own fears. Lulls during which she noticed the buzz and pop, resting from the hike on a stone. Her retreat intended to evade noise, but she found the clawing of forest murder and distant yelps. That’s when she saw a tree, already turned the color of flame against the others’ ordinary green, like the great voice of one who had to speak. Not a word for three days, unable to resist the conversation released within. Slow sun upon a single tree that stands without explanation on the edge of the meadow with red leaves, a hawk glides above the landscape of pines between silence and speech.
The first feature-length film by video installation artist Steve McQueen (no relation to the late actor) presents a detailed and disturbing look at conditions inside Northern Ireland’s Maze Prison in 1981. Angry members of the Irish Republican Army were jailed—some for relatively minor offenses—denied political-prisoner status and subjected to regular beatings by British guards.
There was a shallow moss gray basin set with bunches of grapes. The grapes were chiseled green with the ripeness of their September harvest. There was a pert glazed pitcher, black as obsidian, filled with cold water. There were six linen napkins with red diagonal strips laxly laid by earthenware plates.
But no one sat at the low walnut table. There was no shepherd or mastiff nearby. No, Old Pritchard’s family—bless them!— was casting about somewhere below for his lean body, his cracked bones.
Print books remain significantly more popular than digital books, according to a recent Pew Research Center survey. The bad news is that the number of people who reported reading a book in any format last year was 73 percent, down from 79 percent in 2011 when Pew first started gathering data on the reading habits of America (Publishers Weekly, September 16).