We Are the Eighth Day, © Melanie Weidner


The Yellow Handkerchief

Set in rural Louisiana, Udayan Prasad’s tender, affecting road picture The Yellow Handker chief combines a coming-of-age narrative with the tale of a man driven to seek the salvation he believes he no longer deserves.

"This is my blood of the covenant"

There is no damping of betrayal’s guilt,
The little deeds of virtue cannot serve;
They niggle at the structures time has built,
Unwilling to admit what they deserve.
Even the grasping at the words of grace:
"Come unto me, and I will give you rest,”
Become the tempter’s taunt, thrown in your face,
Counting betrayals of this fair behest.
And still it comes, this welcome to the feast,
Albeit shadowed with the guilt and sin;
Strange Love reminds that this is freedom’s test,
And given so, the grace must follow in.
So there is damping of betrayal’s guilt,
On Calvary, when Covenant blood was spilt.

The Book of Eli

As soon as you hear the title, you can probably guess what kind of film The Book of Eli is going to be. Yes, it is the story about a man named Eli (played by Denzel Washington, who is also one of the film’s producers), who has a book; it is also about the Bible, which in this case seems to provide not a set of beliefs but simply the hope that humanity has a future.