The modest Irish picture The Eclipse has slipped below almost everyone’s radar; it’s moving quietly across the country in brief art-house engagements. This contemporary ghost story about loneliness and connection is worthy of attention.
The sedentary Presbyterians awoke, arose, and filed to tables spread with white, to humble bits that showed how God almighty had decided to embrace humanity, and why these clean, well-fed, well-dressed suburbanites might need his grace.
The pious cruel, the petty gossipers and callous climbers on the make, the wives with icy tongues and husbands with their hearts of stone, the ones who battle drink and do not always win, the power lawyers mute before this awful bar of mercy, boys uncertain of themselves and girls not sure of where they fit, the poor and rich hemmed in alike by cash, physicians waiting to be healed, two women side by side—the one with unrequited longing for a child, the other terrified by signs within of life, the saintly weary weary in pursuit of good, the academics (soft and cosseted) who posture over words, the travelers coming home from chasing wealth or power or wantonness, the mothers choked by dual duties, parents nearly crushed by children died or lost, and some with cancer-ridden bodies, some with spikes of pain in chest or back or knee or mind or heart. They come, O Christ, they come to you.
They came, they sat, they listened to the words, “for you my body broken.” Then they ate and turned away—the spent unspent, the dead recalled, a hint of color on the psychic cheek—from tables groaning under weight of tiny cups and little crumbs of bread.
From South and East, from West and North they gather, on foot, by car, in rickshaw, tram, and bus, health, in wheelchair, in joy, in sorrow, relaxed, uptight, disheveled, and fastidious. They come, O Christ, to you, to taste the body that once for all was slain, to sing and pray and take a cup whose balm brings life from dying— throughout the world and somewhere, somewhere every day.
The words they hear when they have come together are chanted, lisped, intoned, or simply said and tell in myriad tongues with every accent of body broken and of life’s blood shed. Mere words convey a gift of perfect freedom, a debt of love that no one can repay, a yoke of new and welcomed obligation— throughout the world and somewhere, somewhere every day.
The spaces where they meet are huge, resplendent, or huts and hovels all but falling down, on Sundays jammed but often solitary, both nowhere and on squares of world renown. Yet all are hewn from just one Rock unbroken in whose protection no one is betrayed, which lets itself be smashed to bits for sinners— throughout the world and somewhere, somewhere every day.
The hands that tender host and cup are youthful, emaciated, worn, and manicured. They take so little time, they bring so little, to do a work by which so much is cured. These hands that bring the Savior near are icons of hands once torn in order to display with lines of blood the names who come receiving— throughout the world and somewhere, somewhere every day.
Here in the basement of the Espresso Royale on Sixth Street in this land grant university town, amid English Fog lattes and keypad-clatter, in the afternoon before the all-hallows-eve in which Katie, a great-great-et-cetera granddaughter of the townswoman they hanged for the crime of witchcraft, will play a game—homo ludens— of volleyball against the maize-and-blue Michigan Wolverines I draft a missive to the good citizenry of Dorchester as though they might yet happen upon these words, as though their revivified selves were a short gallop from this latitude and longitude, as though their sins of omission and commission might still be forgiven— not just forgotten—by an act of penance that includes a pilgrimage to tonight’s venue and a maniacal cheering for this descendent as she executes (I didn’t invent the language) a perfect play that culminates in (really, I didn’t) a kill. Full stop because I don’t know how to end this letter. So I do what I always do: continue breaking lines and staggering down the page until it’s time to witness more volleyball and cheer like nothing else ever happens or matters.
A growing body of research indicates that diversity in the classroom contributes to childhood development. Kids who make friends with kids from other races in school are better able to handle diversity and their academic performance is improved, according to a study done at New York University. Without assistance from teachers, however, the tendency over time is for same-race relations to increase and cross-race relations to decrease (NPR, July 12).