This winter I had the opportunity to observe a Caravaggio painting upclose and often: his Supper at Emmaus (1601) was on loan to the Art Institute of Chicago from its permanent home in London’s National Gallery. From the Century offices, it was only a few steps across Michigan Avenue to see this vibrant, dramatic painting.
Director Martin Scorsese goes for broke in Shutter Island. The style is a particularly gaudy brand of expressionism. The production design is dominated by dried-blood reds and smeary browns. Robert Richardson’s cinematography is more radically underlit than the old Universal monster pictures from the early 1930s. But the movie is a fiasco.
Wee Agnes Sawrey widdow & Dorothy Tyson Spinster do severally make oath yt ye Corps of Margaret Tyson of Gryzedale in the Parish above s’d beeing buryed the first of Aprill 1696 was not put in wrapt wound up or buryed in any shirt sheet shift or shroud mad or mingled with Flax Hemp or any Coffin lined wth cloth or any materiall but what is made of sheep wooll only according to a Late Act of Parliamt made for Burying in Woollen. In witness herof wee the saide Agnes Sawrey & Dorothy Tyson have sett our Hands & Seals. Aprilis, Ano Di 1696. —Parish document in St. Michael and All Angels Church, Hawkshead, Cumbria
In Norway when you die, they clothe you in a gown of purest white. Egyptians sucked out organs, layered presoaked linen strips around each desiccated limb. It matters what you wrap a body in.
I am one of the few that walk the footpaths on the fell today who put on wool against the sharp October air. The scattered sheep are unimpressed. Warming these hills with active tongues, they are unaware that Parliament, to buoy the trade, once ruled that only wool could be the spun and woven garment of the dead.
Agnes and Dorothy held to the law, picking softest weave of shift or sheet or shroud to lay against the body of their Margaret— like the Marys in the story, who laid his body out, washed and oiled, and put, wrapt, wound up, and buryèd each limb in swaddling clothes to match the ones his little body wore in Bethlehem—the cloth he wore to meet with life and fight with death— he who newborn slept among the shepherds and their silent, woolly sheep.
The kindergarten bus bounces past me this morning as I shamble out to my car and a little cheerful kid waves To me shyly and whatever it is we are way down deep Opens like a fist that’s been clenched so long it did not Think it would ever open again and for a moment I am That kid and she is my daughter and I’m waving to her Hoping she will wave to me and we think that we can’t Write that for which we do not have words but actually Sometimes you can if you go gently between the words
Bill Haslam, Republican governor of Tennessee, recently vetoed a bill that would have made the Bible the official state book. Haslam is a Christian who says his favorite authors are the popular Christian writers Philip Yancey and Eugene Peterson. The governor said the nation’s founders “recognized that when the church and state were combined, it was the church that suffered in the long run.” Treating the Bible as a cultural artifact trivializes it, he argued. The two Republican sponsors of the bill said they would try to override the veto, which can be done with a mere majority of votes in the two chambers of the state legislature (Los Angeles Times, April 17).