I ordered Garrison Keillor’s Life among the Lutherans as soon as I heard about it. Who could resist a title like that? Besides, in a way, it is a description of my life. Lutherans consistently have been important in my life.
Set in rural Louisiana, Udayan Prasad’s tender, affecting road picture The Yellow Handkerchief combines a coming-of-age narrative with the tale of a man driven to seek the salvation he believes he no longer deserves.
There is no damping of betrayal’s guilt, The little deeds of virtue cannot serve; They niggle at the structures time has built, Unwilling to admit what they deserve. Even the grasping at the words of grace: "Come unto me, and I will give you rest,” Become the tempter’s taunt, thrown in your face, Counting betrayals of this fair behest. And still it comes, this welcome to the feast, Albeit shadowed with the guilt and sin; Strange Love reminds that this is freedom’s test, And given so, the grace must follow in. So there is damping of betrayal’s guilt, On Calvary, when Covenant blood was spilt.
So you doubt the whereabouts of God, a quark, everywhere yet nowhere at once. So the hell what? Doubt you the wind, doubt sandstone erosion and trilobite carapace. Let faith in dawn weather slow as feldspar. The sperm whale’s lungs collapse a thousandfold in unfathomable depths, yet bear it, unyielding. You who preach against miracles, go doubt the arctic tern asleep on the wing. Doubt that a father will leave untouched constellations of frost inside his windshield, the breath of his child frozen overnight. Doubt that bodies lose a few grams the moment of death. Doubt that, you who will, doubt that.
Americans now donate five times as many clothes to charity than they did in 1980. The supply of donated clothing outstrips the demand: typically, only 20 percent of donated clothing is sold where it is donated. In 2014, 11 percent of clothing donated to Goodwill ended up in landfills. About 45 percent of all donated clothing is exported to foreign countries by for-profit companies. The glut of used clothing disrupts local economies in developing countries, putting textile workers out of jobs. Bre Cruickshank recommends that clothing donors invest “in timeless styles of better quality,” rather than “refreshing our wardrobe according to seasonal trends” (Not Just a Label, April 9).