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Every war movie is in essence a pro-war movie, even when it tries to be against war.
Seven of this year's eight best picture nominees are stories of lone, white heroes—stories that seem out of touch with the times. The exception is Selma.
With Marco Polo, Netflix reaches for a global audience. Unfortunately, it casts the epic drama through one European’s eyes.
Exodus: Gods and Kings has more in common with the 2004 sword-and-sandal disaster Alexander than with the other biblical epics of 2014.
Like Sarah Koenig, I want to know if we can believe Adnan Syed. But I only know Syed through Koenig’s accounts of him in Serial.
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